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19:12 · 2025年4月4日 · 周五
The New Yorker
Retro Masculinity on Broadway, in “Glengarry Glen Ross” and “Good Night, and Good Luck”
Telegraph
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原文
Telegraph
Retro Masculinity on Broadway, in “Glengarry Glen Ross” and “Good Night, and Good Luck” - The New Yorker
At the climax of David Mamet’s masterpiece “Glengarry Glen Ross”—now at the Palace, in its fourth Broadway production since 1984—a motormouthed salesman in a shady real-estate office in Chicago lambastes his office manager for fouling a deal. As a gullible…
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