The poet joins Kevin Young to read and discuss “My Great-Grandmother's bible,” by Spencer Reece, and his own poem “The Bats.”

It wasn’t enough to sing of God’s love, Dolly Parton felt she had to share it. And share it she did.

Both sides agree that Clancy killed her children. But neither can offer a satisfactory explanation for why—and that vacuum has fuelled sympathy, vilification, and conspiracy theories.

With “It Ends,” Alex Ullom takes his place in a cohort of young horror directors who are translating the anxieties of their generation to the big screen—and upending the film landscape while they’re at it.

The idea that Canada could join the E.U. used to be a fringe topic of conversation. Donald Trump’s trade war with the country has pushed it into the mainstream.

It was the end of the world, and a number of us had gathered in a large, abandoned house.

In the city’s burnt neighborhoods, rebuilding is brutally expensive. Now residents have turned to a lost art: moving entire houses to their vacant lots.

What’s new at Google Chrome since you last updated it seven minutes ago.

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The FX series “Adults,” which is returning for a second season, won’t restore the genre to its normcore roots—but, happily, it has no interest in doing so.

In the fall of 2024, in the Beinecke Rare Book and Manuscript Library at Yale, I sat alone in a dim room, holding my cellphone’s flashlight over the cursive correspondence of the American poet and novelist Countee Cullen. I don’t tend to seek out the letters…

What to do this week, in New York City and beyond.

As A.I. becomes increasingly unpopular among voters, the politics of data centers are scrambling political lines across the country—including in a tight race for the Wisconsin governor’s mansion.

For the cover of the September 7, 2026, issue, the artist Nicole Rifkin—a musician herself—pays homage to one of America’s most beloved icons, Dolly Parton, who died on August 25th, at the age of eighty. “I admire not only her and her music but also her generosity…

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Frazier, the author of the New Yorker humor essay that inspired the new, buzzy film, talks with Burch, the Oscar-nominated screenwriter who reimagined it as a satire of legal thrillers.

The biographer’s new book, “American Scoundrel,” details Cohn’s infamous tactics during the McCarthy purges, a sex-trafficking allegation, and his profound influence on Trump.

Even while refusing to admit legal fault, the parent company of Facebook and Instagram has accepted, for the first time, that much of its business model is unacceptable for children.

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