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If all those spam texts were legit, I’d have dozens of packages shipped to me from USPSS, USP, and FidEx that only require my signature to obtain.

One of the most thought-provoking books I’ve read in the past year is Noam Scheiber’s “Mutiny: The Rise and Revolt of the College-Educated Working Class.” Scheiber presents a series of incisively reported profiles of young people who did everything they were…

A closely watched Democratic primary for the U.S. Senate, between Haley Stevens and Abdul El-Sayed, carries major implications for the direction of the Party.

See today’s Daily Cartoon.

Inaction in action.

Anthony Fauci became a symbol of truth and integrity during the pandemic. In his diaries, he’s mostly talking about how he “butt called” Barbra Streisand.

This year’s buzzy “A Violent Masterpiece” inverts the genre’s traditional contrast between optimism and despair. Is a hopeful crime novel still a noir?

The kerfuffle over Christopher Nolan’s fidelity to Homer’s Odyssey reflects major questions in the history of cinema.

From the pop singer Gracie Abrams to the Gen Z rock band Geese, the internet levies the titles “nepo baby” and “industry plant” on artists they believe to be the carefully arranged product of corporate influence—regardless of the music’s merit.

The works Lauren Collins drew on while writing her new book “They Stole a City.”

See today’s Daily Cartoon.

Abdul El-Sayed won Michigan’s Democratic primary with an unapologetically progressive platform—and a total defiance of the Party establishment.

Ryan Murphy’s adaptation of Bret Easton Ellis’s metafictional thriller-slash-gay-awakening story is a “Glee”-ified version of its source material.

Max Miller’s bitter domestic dispute—in which he’s accused of physical abuse by his ex-wife, the daughter of Ohio’s senior senator—is testing the Republican Party’s willingness to defend the indefensible.

No one knows Marco Rubio’s age. It’s part of his mystery. So is his height. Look it up. No one knows.

The 1997 album marked a crossroads for hip-hop, as the genre was being torn between elaborate mythmaking and a kind of true crime.

A new book, “Little Blue Dot,” by Katherine Dunn, raises questions about the unintended consequences of knowing where we are.